Month: September 2014

Fantasy For Good: ToC Announced

Received the galleys for “Fantasy For Good: A Charitable Anthology” today and I’ve got to say it looks awesome. The release date has been set for 9th December 2014 and the Kindle edition is available to pre-order already. The trade paperback from Nightscape Press will also be pre-orderable soon (see links below).

All proceeds from the sale of this anthology go directly to Colon Cancer Alliance, a charity dedicated to the prevention of this deadly disease, as well as funding research and supporting patients who suffer from it. Having now read the moving foreword by the editors Richard Salter and Jordan Ellinger, the introduction by Trent Zelazny about his father’s silent battle with this cancer and the very important lessons he’s drawn from it, hearing about the involvement of Jay Lake and others touched by this terrible disease — it’s very much clear this anthology has been created from the heart. I hope it does really well and raises a hell of a lot of money for CCA.

Here is the table of contents. I’m humbled and feel privileged to be a part of it.

Table Of Contents
“Horseman, Pass By – An Introduction” – Trent Zelazny
“The Edge of Magic” – Henry Szabranski
“Annual Dues” – Ken Scholes
“The Kitsuneís Nine Tales” – Kelley Armstrong
“Elroy Wooden Sword” – S.C. Hayden
“In the Lost Lands” – George R.R. Martin
“Worms Rising From the Dirt” – David Farland
“Snow Wolf and Evening Wolf” – James Enge
“Knightís Errand” – Jane Lindskold
“Languid in Rose” – Frances Silversmith
“Green They Were, and Golden-Eyed” – Alan Dean Foster
“Golden” – Todd McCaffrey
“Mountain Spirit” – Piers Anthony
“Moon Glass” – Megan Moore
“The George Business” – Roger Zelazny
“Only the End of the World Again” – Neil Gaiman
“Lenora of the Low” – Marina J. Lostetter
“Trufan Fever” – Katherine Kerr
“Undying Love” – Jackie Kessler
“Dancing With the Mouse King” – Carrie Vaughn
“Showlogo” – Nnedi Okorafor
“The Bluest Hour” – Jaye Wells
“Pandal Food” – Samit Basu
“Loincloth” – Kevin J Anderson and Rebecca Moesta
“Man of Water” – Kyle Aisteach
“Bones of a Righteous Man” – Michael Ezell
“Timeís Mistress” – Steven Savile
“Little Pig, Berry Brown and the Hard Moon” – Jay Lake
“The Grenade Garden” – Michael Moorcock
“Sand and Teeth” – Carmen Tudor
“The Seas of Heaven” – David Parish-Whittaker

Kindle editions can be pre-ordered here:

Canada Pre-Order Link: http://www.amazon.ca/Fantasy-Good-Charitable-George-Martin-ebook/dp/B00NJY4GUE

Pre-Orders for the Trade Paperback edition will be available soon the Nightscape Press webstore: http://nightscapepress.wix.com/store 

If you do the Goodreads thing, you can add it to your “To Read” list here: https://www.goodreads.com/book/show/23167420-fantasy-for-good

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#SFWAPro

Being Good Is Not Enough

Here are a few verbatim excerpts from some recent rejection notes I’ve received for different stories from different markets. Hopefully the editors and first readers who wrote them don’t mind — any advice or encouragement they take the time to send is always gratefully received. But it just goes to demonstrate that having an editor or slush reader like or even love your story isn’t enough. As well as being flawless, the fit and timing have to be just right.

Note: I’ve omitted the inevitable qualifiers, the list of perceived faults and deficiencies, the particular reasons the submission wasn’t appropriate for that market at that time, etc…so the skew here is obviously to the positive.
 
“This is well written, and riveting. The characterization is strong, the ending is just right. Your descriptions and narration were great…A beautiful story, expertly told…”
 
I think this idea has great potential and I hope it finds a home. Your story made it quite far in our process and I’m sorry to let it go.”
 
“This is a perfectly good story…”
 
“… this piece is fantastic. Absolutely amazing. I really enjoyed the read…I loved this story — and I really do: the prose, the idea, the pace — …”
 
“…This is a very fine piece of sf…”
 
“…all the staff agreed that this story was very good…”
 
“…It had good imagery and the prose is fluid, so you can write well for sure…”
 
This is a good story and I enjoyed reading it…”
 
“This has an inventive setting and the main character is interesting, and there are some beautiful bits of prose…”
 
So if all the above are true, what, then, does it take to achieve a sale?
 
Research the market you’re submitting to. Read what it publishes. Always follow the submission guidelines. Don’t forget that any story can always be improved: carefully consider the advice given, even if it can sometimes be contradictory (different editors have different tastes, target audiences, and visions for their market). If a common criticism emerges from different readers then take particular note…in the end, you can’t buck the market.
 
And always take this piece of advice to heart, because very few of my published stories sold to the first market they were submitted to, or to a market I had never been rejected from before:
 
“Please consider submitting to us again. Best success selling this story elsewhere.”
 

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